The simplicity of Uroko’s form belies its complex history; it is an ancient motif connected to 11th century Japanese folklore. Derived from an antique kimono, Uroko recalls Kiyohime, the shape-shifting character of Noh dramas who is often depicted donning this design. She is caught between human and serpent form in a moment of epiphany and heartbreak, teetering the tender line between love and hate. Translating as “scale”, like that of a fish or snake, Uroko is a structure coming undone — a revelation that things are not always what they may seem to be.